Guest Column: Technology and Guitar Rock

This continues a new category of posts: Guest columns where friends and readers share how technology is reshaping their hobby – fishing, basket weaving, rugby – whatever.

This time it is Devan Sabaratnam from Darwin in Australia, who by day develops web services for many of today’s leading ERP products, and jams at night. I knew he had good taste when he commented on Dire Straits in on of my posts. Little did I know he could just about have played for them!

“Almost every youngster dreams of being a rock and roll star, and I must admit I was fortunate to play guitar in several bands from my high school days back in the early eighties up until I turned 30, got married and settled down, thus effectively ending my days of playing rock and blues riffs in smoky bars and clubs.

As it turns out now, our eldest son who is 9 (in the photo), is showing the same passion for being a rock guitarist, and this has allowed me to relive my past vicariously through him (every aging guitarists dream really!).

In this process, I have been had to re-outfit him with gear (no way is he going to play my precious guitars - at least not until he is as good as Eddie Van Halen).  But in the process of scouring the local shops and the web for equipment, I have been astounded by the technological changes that have taken place in this industry over the past 20 or so years.  Let me explain.

1. Cable Nightmare

THEN: I used to dread unpacking my gig bag before every show, as I would be confronted with a mass of cables and leads looking like Medusa's hair after a particular bad night on the town.  Not to mention that my effective range from my amp would be limited to whichever of the longest leads I had managed to untangle that evening.  Also, I used to get tired of tripping up the lead singer and pulling everyone else's mike stands over as I duck walked across the stage.

NOW: Wireless transmitters mean that the guitarist can meander right into the audience and prance around the stage like a right prat in utter safety.  I wish the associated battery pack would be a bit lighter though.

2. Tuning

THEN: Between just about every song, I would unplug my guitar from the main rig and end up hunched over my tiny tuning device to prevent my guitar from sounding like a discordant banshee.  This used to severely restrict my time that I could have spent getting free drinks from the band's groupies.

NOW: The latest guitars from major manufacturers now tune themselves!  I came across these recently whilst jamming at the Experience Music Project in Seattle, and they certainly saved time, although I think the jury is still out on the real practicalities of such systems.

You can even tune your guitar using your iPhone these days!

3. Learning Chops

THEN: In order to learn a particular riff or solo, you had to wear out your cassette tape playing the sequence over and over again and try to figure out what position on the neck and the correct fingering sequence - most of the time you would be way off until some other, more experienced colleague actually showed you the 'proper' way after a particular embarrassing performance.

NOW: You can go to YouTube or any other number of web video sites and type in the name of the song or guitarist, and you will get a plethora of instructional videos showing you how to play from several camera angles, including slowed down, note for note analysis.  In addition, you can also download tablature or sheet music for just about any song ever written and released.

4. Jamming

THEN: If you wanted to have a casual jam session, you would have to contact all the other band members, ascertain if they were not too lazy/sleepy/drunk/stoned to get together to make music, then load all your heavy gear into the car and head to the designated garage, set up, play, argue, play, then tear it all down again.

NOW: The latest line of amplifiers now have built in jam track loops, complete with drums and rhythm backings, so you can select the type of music you want (from Friday night grunge metal to Sunday afternoon cabaret jazz), and simply play over the top.  The digital drummer ALWAYS keeps in time, and you are never subject to his fits and tantrums (sorry Ricky!).

5. It's All About Tone

THEN: You would work three jobs to save enough money to buy the same type of guitar and amplifier as your hero(Not Guitar Hero, though – the household has a no-TV and no-game console policy while the kids are young)  You would scour through guitar magazines with a magnifying glass to see if you could see the positions of the various knobs on their rig.  You would buy and throw out several distortion pedals because they didn't have quite enough fuzz for your liking.

NOW: You can buy ONE effects pedal that duplicates all the tone and nuances of your favorite rock star.  With the press of a footswitch, you can sound exactly like Hendrix did on 'Foxy Lady'.  Another press, and you can sound just like Brian May from Queen.

You can also get software that runs on your PC, on which you can build a sound to emulate virtually any brand of amp on the market today.

6. Recording

THEN: I would drool over TASCAM catalogues showing their multi track mixing consoles and huge 8 inch tape to tape reels.  The floor space required for the recording equipment took up a whole room in it's own right.  We did go into a studio once and put down a few tracks, but it was a week long exercise in frustration (see (3) above) to get everyone there at the same time and the cost was quite high.

NOW: You can purchase a device no bigger than your laptop which allows you to mix multiple tracks directly onto your iPod, from the comfort of your own bedroom.

Conclusion

Yes, the new technology is great, and my son is getting right into it, but for me, I will always be happy with my 30 year old guitars (I have 9, and have held on to every one purchased since I started playing, except for #1).  I play them all through my 20 year old Mesa Boogie valve amplifier, and I will keep on playing Chuck Berry blues licks and reminiscing about the 'old days' long after the sun sets.”

Comments

[Dave bennett]

Devan, still trying to get to grips with actually teaching the new mixing software. The youngsters pick it up almost without any effort, just us old farts who struggle I guess. And as for letting anyone play my Fender strat......aint gonna happen!

[Devan]

Dave, Too right - I still cannot get the hang of a proper mixing console, nor the new effects rigs that guitarists seem to use these days.

My rig is as uncomplex as it can be - my Strat or Les Paul directly into my Mesa Boogie Mk II. Sometimes a Boss DS-1 pedal in between for extra crunch, but that's it.

Only 6 knobs to twiddle on the Boogie too! Even I can get the hang of that...

[Angele Martin]

Programs with guitar lessons videos are definitely the most practical way to learn guitar, even if you only have a little bit of free time per day. You can fit in a lesson at your convenience from your own home, in the time that you have. And even if you don't finish that lesson, not to worry; it will be there for you to pick up when you're next available. Do some researching and searching for these programs, but make you sure read reviews of any programs you're considering to find out if the guitar playing lessons program sounds good for you. There are some good one out there, but also some bad ones, so just do you research, and good luck!

[Tom Fontana]

Interesting to read about the then-and now of a guitarist. One thing though, those wireless transmitters usually degrade sound quality, so I prefer using the good old mess of cables.

[Bryan]

This is a great comparison of new and old. As a player that came in between the ends of your spectrum I've had experience with both. A lot of the new toys are cool, but they just don't have that "sound" like the older gear. And sadly the younger players won't get that. Having worked in a recording studio during the paradigm shift from analog tape to pure ProTools, I really miss the analog sound. Younger guys think of it as "old sounding" or even "muddy", but that's the "sound". There is NOTHING like cranking a tube amp to 10 and slamming it to a 2" Studer tape machine. Line 6 can't make that in a box.

[Mastering Guitar Lessons]

Cool Kids on the picture. Great share and very informative. I probably want to try the Wireless transmitters.

[Learn and Master Guitar]

Wireless transmitters sounds very interesting. This is something I always want to have.